They had to manually shake the water to create the ripples for this scene. Hong said he put heart and soul to it cuz he wanted the image to directly represent Fumi's feelings.
Thursday, May 19, 2022
Rurou no Tsuki - Tori Matsuzaka/ Eiga.com: I don't trust myself.
I don't trust my knowledge source, or rather, I don't trust myself. I don't have confidence that I can do it, but I also don't have confidence that I can't do it. I'll never know until I try.
―――― Regarding him famously responding "I'll try it first" to every absurd request from various directors.
Rurou no Tsuki - Tori Matsuzaka for Wotopi
"I'm sure humans have more emotions than words can express. There are things that are understandable (how they feel like) somehow, we don't need to force them into terms to explain and outcast people when they stray off."
wotopi .jp / archives / 127856
Disclaimer again
Sunday, May 15, 2022
Rurou no Tsuki - Tori Matsuzaka, Interview with Tiktoker Shinnosuke
I believe that the "truth" of Fumi is not only a story in this film, but also a sensitive story. So, I actually found people who have the same problems as Fumi during my role creation process.I tried to talk to them, but I couldn't meet them. It's a very sensitive matter, so it's difficult for them to meet me face to face and communicate with me, so I have to go through someone else to ask some questions to them.I wanted to play this role for people who have the same kind of problems as Fumi because there really are a certain number of people who have such problems.
(***EHH... I thought he wouldn't find any in real life!! Quite surprised! 😱)
Text:
文の真実というものがこの物語だけの話ではないと思っていて本当におっしゃっていただいたようにセンシテイブな話ので役を作る上で文と同じような悩みを抱えていう人実際にやっぱりいらっしゃるんですよねその方とかにもお話を聞こうしてもやっぱりそのお会いすることができなかったりするです物凄く繊細なことなのでやっぱその顔を見せて一緒に話というかコミュニケーションを取るていうのが結構難しかったりするので誰かを介してその人のことをこう聞いたりとかするぐらい文が抱えているものっていうのはものすごい繊細なことなのでただ文と同じようなというか そういった悩みを抱えてる人っていうのがやっぱり一定数いるというかちゃんといることがあるからこそ僕はこの役を通してそういった人たちに向けて演じていきたいっていう思いもありましたのでそこの二点の決め手は大きかったですかね
Thursday, May 12, 2022
Rurou no Tsuki - Tori Matsuzaka, houyhnhnm
If I stick too much to my own image of Fumi, it'll be a biased version of him. I had a lot of discussions with Dir. Lee, did literature research and talked to various people. Then, made a conclusion who he would be like.
Q: I feel that a cautious and sincere attitude is important to understand and respect others.
Tori: Yes, it is. People are multifaceted beings, and it takes a lot of time and effort to properly understand their multifaceted aspects. I think it is the evil of the current society that makes people think they understand things easily by skipping that part. Everyone must have the awareness to stop and think. Else, we may end up hurting people without our knowledge, or be complicit in distorting the truth.
Tori: I feel like I'm eternally 14 years old. LOL I always look forward to Weekly Shonen Jump. Isn't ONE PIECE really exciting now? And now, I watch "SPY x FAMILY" all the time.😆Isn't it really interesting? Hehe
Shinano Shimbun 松坂桃李
■映画「流浪の月」を語る～主演×監督㊤ 主演・松坂桃李
恋愛でも友情でもない、ただあなたがいればいい―。１３日公開の映画「流浪の月」は、メインロケ地の松本をはじめ信州の風景が織りなす世界観を背景に、痛みを抱えて社会の片隅で生きる孤独な男女の物語だ。「自分史上一番難しく、掘っても掘っても答えが見つからない。霧の中でもがいて、さまよっている感じだった」。そう話すのは、広瀬すずと共に主演した松坂桃李。難役への挑戦の裏側を聞いた。
■引き離される場面で握った手の感覚
家にいられない事情を抱えた１０歳の家内更紗(かないさらさ)（白鳥玉季／広瀬すず）を、部屋に招き入れたために誘拐犯とされた大学生の佐伯文(ふみ)（松坂桃李）。１５年後に偶然再会した二人は周りや世間に理解されない中で、かけがえのない存在として通じ合っていく。原作は「２０２０年本屋大賞」を受賞した凪良(なぎら)ゆうの同名小説。
松坂演じる文は、世間の目に心も体もすり減らし、綱渡りするように生きてきた役どころ。最も苦労したのは文の内面を掘り下げ、彼を苦しめる“真実”にどう向き合うかだった。「原作や映画でも描かれていない余白の部分をどれだけ想像して、実感として体に染み込ませてカメラの前に立てるかが大きな課題だった。それが一番難しかった」と振り返る。
役作りには時間をかけ、考えられる限りを尽くした。更紗の子役オーディションに参加。カフェを営む役柄のためコーヒーを入れる練習もした。原作に、背は高いけれど威圧感はない―と書かれる文の体作りは撮影の４カ月ほど前から始め、７～８キロ減量。松坂がまとった「深い沼のような空洞の瞳」と「影に溶け込みそうなたたずまい」に、李相日(リサンイル)監督は感嘆した。
During the shooting, I stayed in an apartment on location where a college student, Bun, lived with Sarasa. She also wrote her diary as a sentence. "Even after shooting that day, I didn't go home and the switch didn't turn off. It was a big thing that there was an environment where I could think about what it would be like if it was a sentence, which helped me maintain my motivation to face the role."
The shooting that proceeded almost according to the development of the story also helped. The freedom that the sentence felt while spending time with the chintz is accumulated as "memories", and the feeling of the hand held when the two are separated is deeply engraved. I feel that "I was able to live for 15 years because of the strength of my clenched hands, which filled the gap of 15 years."
■ The beauty of Lake Aoki In a scene that symbolizes the heart of the sentence
The image of water and the scenery are the keys to connecting the two. The separated place changed the original zoo to a lake in the movie. Matsuzaka was also impressed by the beauty of Lake Aoki (Omachi City), where the film was taken. "When I read the original, the first thing that came to my mind as an image of the sentence was the lake. It felt like a big and quiet lake. Lake Aoki was also a scene that symbolized the heart of the sentence." The fantastic allegorical nature complements the harsh reality.
I felt the emotion in the cityscape of Matsumoto City, where the location of the cafe run by Bun was located. She smiles, "A river runs through the center of the city, and Matsumoto Castle is nearby. The air is clear, calm and comfortable. I feel familiar with my skin and want to go again."
The play with Hirose, who will be co-starring for the second time, swelled due to a synergistic effect. She describes Hirose as "the physical strength of the play is inexhaustible" and "the more shots you take, the more sophisticated and sharpened you are like a sword." Even when Sarasa, who escaped after being violent by her lover, started crying in front of her sentence, "Every cut has a new discovery, and the way of receiving emotions changes. A really amazing actor." The final scene where Sentence confesses her truth to Sarasa was also created.
How does the audience perceive the relationship between the two who are saved by each other's existence? Interest and fear are intertwined and I'm more nervous than ever. "I envy the relationship that allows me to share the truth, and the connection is really strong. I would be very happy and most comfortable if I could create a relationship that allows me to share the truth within myself. (Chiharu Kawahara)
◆
■ Movie "The Wandering Moon" Filmed in Matsumoto, Azumino, Omachi, Nagano Co-starring Ryusei Yokohama, Mikako Tabe and others
The movie "Wandering Moon" exhibited at the 23rd Jeonju International Film Festival held in South Korea until the 7th of this month was cranked in in August last year, and in addition to Matsumoto City, Azumino, Omachi and Nagano in the prefecture. Taken in each city. The cinematographer was Hong Kyung-pyo, who works on works that will remain in Korean film history, such as "Parasite Semi-Underground Family," which won four Oscars. Co-starring Ryusei Yokohama, Mikako Tabe, etc.
The shooting in Matsumoto was decided because I found the location of the cafe run by Bun (Matsuzaka Tori) in the building along the Metoba River. The nearby Hitotsubashi was used for various scenes, and in front of Shinmai Media Garden, Sarasa (Suzu Hirose) escaped from her lover Ryo (Ryusei Yokohama) and became the stage for the scene. Screened in Nagano, Ueda, Saku, Matsumoto, Okaya, Iida cities and Yamagata village, Higashichikuma district.
Talking about the movie "The Wandering Moon" -Starring x Director ㊦-Director Lee Sang-il. Coming soon
【Related article】
■ Matsumoto Tourism Convention Association creates a location map for "Wandering Moon"
https://www.shinmai.co.jp/news/article/CNTS2022042700076
■ 2020 Japan Booksellers' Award "Wandering Moon" made into a movie on location in Matsumoto Starring Suzu Hirose and Tori Matsuzaka
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