Saturday, November 6, 2021

Rurou no Tsuki - Director Lee Sang-il (Part 1)

The movie "Rurou no Tsuki," which was filmed in Matsumoto, Azumino, Omachi, and various cities in Nagano Prefecture until late October, will be released next year. The film stars Suzu Hirose and Tori Matsuzaka, and is directed by Lee Sang-il (47), a leading figure in the Japanese film industry who has directed "Hula Girls," "Villain" and "Rage". What attracted him to the original story and what did he want from the actors? What was the decisive factor in choosing the prefecture of Shinshu, Matsumoto as the filming location? We spoke with director Lee, who visited Matsumoto City for filming. 

The charm of the original story made me want to try it

Director Lee's "Hula Girls," set in an abandoned coal mining town, won the Japan Academy Prize for Best Picture and other film awards. Since then, he has continued to portray profound human dramas, from "Villain" which delves into the good and evil of human beings through a murder case, to "Rage," which confronts the difficulty of trusting people against the backdrop of a certain incident, and connects them with the dark side of society, such as loneliness, inequality, and intolerance.

This time, he is tackling the story of Sarasa, a young woman and Fumi, a young man, who were separated after being regarded as the victim and perpetrator of a kidnapping, and are reunited 15 years later. Each is labeled as "a poor victim who was abused" and "a pedophile kidnapper," but the truth is...

Lee: The story is based on the novel of the same title by Nagira Yu, winner of the 2020 Bookstore Award. I've never worked on such a special and intense relationship before. I may not be able to fully understand them in the true sense of the word, but it made me want to try. The past incidents are etched as indelible "digital tattoos" on the Internet, and the world will not allow the reunited couple to get close to each other. "If we try to follow our own conscience, we will be rejected and denounced by society. I think the dilemma is the same as in my previous works.

What is the severe direction that Suzu Hirose is afraid of?

Lee: I worked with Hirose in "Rage" almost six years ago and I've always been confident and hopeful that we would meet again. Since then, she has been running in the center of her generation. I feel she became much stronger. 

Hirose has also been looking forward to making a film with Director Lee. 

Suzu: He notices the slightest change in me before anyone else does. That's why I can never lie in front of the director, and if I try to cheat even a little.... Just thinking about it... I'm afraid to act in front of the director now. 

That's what she said when announced her role as Sarasa.

This is the strict direction that Hirose fears. Director Lee asks the actors to feel the atmosphere of the character and what they are going through just by appearing on screen. 

Lee: How do you show and tell the inner life of a character as depicted in a novel without overly explaining it? I pay attention to how they prepare and appear in front of the camera.

Scooping up the essence for "visual expression

Lee: In the original story, much of the story is written from Sarasa's point of view. The film depicts "the pain that no one understands" while showing Sarasa and Fumi trying to live in a way that they accept each other and do not let go. The film not only traces the novel, but also seeks to scoop up the essence and convert it into "visual expression". The film's unique expression is sure to be a highlight.

In the novel, Fumi is described as tall but not intimidating, "like a white flower." "He has an atmosphere that makes you wonder if he's real or not." I talked may times with Matsuzaka, who plays the role of Fumi. From the first time, I told him it was a little special and difficult to express in the flesh. 

However, when Matsuzaka stood in front of the camera for the first time.... "The silhouette and the way he looked at me made me think that this was the kind of person Fumi would be. I thought he was a pro." he said in admiration.

When the casting announcement was made, Lee commented, "I can't wait to see how much I will be captivated when their eyes meet and they are filled with tenderness and compassion for each other. I can't wait to see how this will be realized in Shinshu. I'm looking forward to it."

Tuesday, October 26, 2021

Producer Muneyuki Kii on choosing Tori Matsuzaka as lead role+ about 3rd installment

I knew he's a talented actor with Shiraishi's films. Even so Call Boy surprised me that he could even create a sense of mystery. I thought, 'He's a rare actor in Japan,'

But for choosing the lead role of the series, no matter how popular he is, he has to be a strong human being. After all, he'll be carrying the work on his shoulders. In this respect, Tori Matsuzaka is a very nice guy. I work with him for a long time, and I always feel that way. 
No matter who he is talking to, he is always able to talk. He thinks deeply about what the work is trying to convey and delivers it. I have complete trust in him. 
For 3rd film of The Blood of Wolves, I'm now working on Shin Kamen Rider with Dir. Hideaki Anno and Shiraishi is working on Kamen Rider Black Sun. We're now rivals so we don't talk. We will discuss about it after our KR Showdown. 

Wednesday, September 29, 2021

Masaki Okada - この世界" (This world, without a story)

Masaki Okada mentioned about going to see Tori Matsuzaka's stage Call Boy in his interview for his upcoming stage "物語なき、この世界" (This world, without a story) working with the same director Daisuke Miura

Q: Tori said he had "complicit relationship" with Dir. Miura which has similar nuance to what you described as "very deep relationship".

A: Yes, I guess so! I had the chance to see Call Boy, and at that time, my friend Tori showed an expression that he doesn't usually show. >> 
A: I thought it wasn't the "Tori Matsuzaka I usually see," but the "Tori Matsuzaka under Miura's direction". To me, he looked very beautiful. Tori also said that when he receives a good direction and does a good performance, he changes unexpectedly from his private life. 
A: Before covid, we often had dinner together, talking about work, performances etc. I really like him as an actor and as a friend. It was great to see the performance of him being gradually forced into a corner. 
A: I'm wondering if I could do it myself this time, but when I told Tori, "My next project's with Dir. Miura!", he said "Oh, Fighting!". 
Okada Masaki: I want to do this role with not too much preparation.
(T/N: He means that he trusts the director and wanna go far with his performance without being limited by entirely preparing ahead.) 
Actually, I like Dir. Miura lol.
He has a particular way of torturing Tori till he became what he wanted.
(But it only worked with Tori so far tho.)

In Call Boy crank up video, Tori looked like "now I am free from this hell" 🤣

Okada... good luck being tortured hehe 

Korou no Chi LEVEL2 - Tori Matsuzaka

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The text on top right translates as:

"Whether he is playing the lead or supporting role, the moment 'he' appears on the screen, it feels like an electric shock. Tori Matsuzaka has once again taken on a role that surpasses his previous works."

That special quote on "彼" tho. 🤣 
Here starts the text below:

Tori said what he's most careful about is to bring the amount of heat from 1 while not relying too much on it. He seemed to have asked Dir. Shiraishi to wait for a while to shoot 2. 
Regarding that, he said he was scheduled to join BoW crew late (almost 10 days, Nijiro said). By the time he joined, Suzuki Ryohei was already on fire. So, he had to become Hioka instantly when he joined halfway. He realized once again that he can be a role thanks to many people. 
His schedule is like that becuz he was shooting Inochi no Teishaba. He finished Teishaba on Oct 2. Reported to have joined LEVEL2 on Oct 6. 
Article said Matsuzaka Tori's recent 3 years has been intense. Especially, The Journalist (2019) which is perceived as criticism of current political affairs. That the industry people are saying it would be buried without him. Asked why he appeared in it. 
Tori: I don't know if it's certainly zero risk or not. But it's worth it cuz I believe this film is much more valueable than that (zero risk). 
There's also a paragraph about his two spring dramas. (omitted) 
I think that my 30s are for me to take my time with each work. Actors who can act in various genres even as they age is addictive to me, so that's what I want to aim for. I have about 8 years left until my target age. I wonder what kind of flowers will bloom along the way. 
Left to translate the title, the one on the below right.

"一作1作を覆に未来への種まきを継統中"

"Planting seeds for the future with each new work"

***That's why his ending comment is flowers. 🌻🌼🌻🌼🌻 

Kenichi Matsuyama and Dir. Keisuke Yoshida - BLUEブルー (2021)

Q: I heard you took 2 years for boxing training.

MatsuKen: Rather than concentrating to train for a short period of time, I'd linger and watch people there. My role was also a trainer, so I wanna be a presence in gym.
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Kuhaku - Arata Furuta and Dir. Keisuke Yoshida about Tori Matsuzaka

Furuta: He is a serious and sincere actor. I felt that he's hardworking and professional. He could do both pull and push in the performance. Because of that I was able to keep pushing.

cinemarche.net/interview/kuha…

Dir. Yoshida: Tori's acting is very realistic. He can play plain and unpolished roles altho he looks attractive. He doesn't overdo it as an actor, and can act naturally. He's almighty actor (in english). That's why I wanted to work with him. I cast him for many other reasons too. 
Is there a particular scene that stands out in your memory?

Furuta: The last scene with Tori. We were both physically and mentally exhausted, both as actors and as ourselves. 
Dir. Yoshida: That's just one-cut. I left that scene to the two of them. After all the shoots, I decided "I'll just take one-cut for last scene whatever comes out, I'll take as fate and put that to the film. During the actual shooting, I was staring at them and surprised. 
Dir. Yoshida: As the director, I wanted to keep cool, but I saw unexpected performances and was too emotional to say "cut". But, I was relieved to see the normally cool script supervisor crying beside me.

***Dir said the very last shot of Furuta-san is "after cut" reaction. 

Friday, September 17, 2021

Kuhaku - Arata Furuta and Tori Matsuzaka, Classy

 Impression on each other

Tori: He's a person who has established his own position and his own things. I don't think there is anyone who can match Furuta-san. I feel that he is unique. I've seen him on stage many times.
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Tori: I first came to know Furuta-san in "Kisarazu Cat's Eye (2002)". I was still a student. Furuta-san's role left a strong impact on me, and I laughed every time. Since I started working here, I've gradually come to know that he's an amazing person. 
Furuta: I've known him since he was in "Samurai Sentai Shinkenger". At first I thought, "Tori Matsuzaka is going to play a bear? Aren't we wasting money?" but I enjoyed a lot working with Tori in Paddington. 
Furuta: I think Tori probably a simple guy. Some of the actors who came out from Sentai or Kamen Rider are troublesome.

Tori: Who are you talking about? (lol).

Furuta: I hoped Tori would approach me normally, and when we worked together, he did. I thought it was fortunate. 

Shinobu Terajima's Comment

When we were not acting and talking at a place like a tea house, Tori seemed to be very calm and didn't talk much about himself, we were the only ones who talked. He was listening with a smile the whole time. I thought he must be a good child. 
Thoughts on acting

Furuta: I don't like actors who try to do things on their own. So I just do what the director tells me to do, and then we can finish shooting quickly. I'm glad that Tori is also like that. 
Furuta I don't like actors who say, "Let me do it again. One more time!" Some directors say that they'd wait for something better to come out, but it never does. The first performance is the best. So, I put all my energy into it. 
Furuta: If you don't go all out from the very first scene, you'll never get that tension back again.

Tori: That's right. It's like full throttle.

Furuta: I am glad there's no one like that this time.

Tori: So, who are you referring to? Really~~~ (lol) 

What do you like about each other?
Tori: Also, his communications skills. He can communicate with all people from various occupations from different places. 
Tori: Third, he's very observant. Just listening to our interview today, his powers of observation of people are amazing. He spewed this venom (lol), but I realized that he observes so many people and has a big picture view. I thought it was cool. 
Furuta: About Tori, I like voice, face and his work attitude. He is a good voice actor and his face his beautiful.

Tori: Thank you! (hehehe) 
What about work attitude?

Furuta: Tori, be honest, how many times did you do NG?

Tori: Almost never.

Furuta: See, I don't like those who do NG.

Tori: lololololol 
Furuta: I also don't like those who say "no" to director's requests. I think the coolest actors are those who can say "yes" to everything.

Tori: Yes, they are the strongest actors.

Furuta: Tori is directors' "yes-man".

Tori: hahahahaa 

Sunday, September 12, 2021

Kuhaku - Tori Matsuzaka, So-en/ BANGER!

Q: Beside your expression ability, your physical appearance here was also impressive. You seems to be having contractures steadily, your eyes are faint, and yet you seem to be staring at the same point. (T/N: Pls watch trailer.)

A: Yes, I did. In the scene where I confronted Furuta-san, I wanted to express the feeling of being unable to look or move, so I ran simulations before filming the scene. 

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Q: Your physical approach in Call Boy was also famous. Is this a style that you've been pursuing for a long time?
A: No, it's my first time to use it in Kuhaku. I've always taken physical approach, but mainly for the way of thinking. He may suffer contractures or unable to make eye contact. But I can't do so easily. I don't think I've ever seen such a situation before. So, I did simulations. 
Also, Furuta-san brought out a lot in me on the set. Strong words are written in the script, but I felt again that hearing them and reading them are completely different. When Furuta-san speaks, I also have "reaction" to what he says, and I feel that he pulled me along. 
Q: This time with Dir. Yoshida is wonderful. What's your next? I want you to collaborate with Dir. Kiyoshi Kurosawa.

A: Dir. Kurosawa is one of the directors I'd like to work with. There are many directors I haven't been able to work with yet. I'm hoping I can do so one by one. More than that, there are a lot of up and coming directors of our generation, right?

Q: Yes, like you worked with Dir. Michihito Fujii. 
Tori: Yes, I want to make films with my generation in the future. Dir. Kazuya Shiraishi did respect training to create a good environment for new talents. I also want to bring in more and more fresh air and make Japanese entertainment more colorful thru various approaches and routes. 
As I am using my own body to express, it is important to understand the "container" that my character is in. So, I would check what kind of reaction my body would have or what kind of voice tone it would produce to use it in a project.
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